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We woke up to the crowing of roosters and the barking of dogs soon after daybreak. We heard no traffic. We saw no white jet trails overhead. We lived without electricity and without telephones, computers, or television. The only lights at night were the stars, our flashlights, and the glow of a city in El Salvador over the mountains.
We didn't know what to expect when we left New York City. We were making the trip under the guidance of Church World Service, but the volunteer office in Louisiana could tell us only a few facts. We would be in a rural village that had been hit by Hurricane Mitch. We would help build houses. And it would be cold at night because we would be nearly 6000 feet above sea level. Many of us came on the trip because we felt an urging from within, but we didn't know why. We came with a question. We trusted God to provide an answer. |
![]() UMVIM Connie Coddington and Ron Jackman make metal frames for doorways and windows. |
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We learned that mud is more than a disdainful annoyance that we scrape off our shoes. Mud is God's gift of life. In this ooze, rain is soaked up, seeds are given life, nutrients are passed from animals to plant roots and back to animals, and mountains are built. Mud can be fashioned into sun-baked bricks, clay pots, mortar for cement, or roof tiles to keep the rain out.
When a hurricane whips up this same mud, dumping several feet of water on it in a very short time, it can become deadly. A landslide can wipe out a whole lifetime of work and all the members of a family in a matter of seconds. |
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In Honduras, Church World Service (CWS) and the General Board of Global Ministries, through Mission Volunteers and the United Methodist Committee on Relief (UMCOR), work with an ecumenical agency, the Christian Commission on Development (CCD). Our team was assigned to Portillo del Norte, a small village of 35 families in the state of Intibuca. United Methodist missionary Paul Jeffrey met us for orientation at Monte Carmelo, a CCD retreat center where our first night was spent. Earlier, we'd had several required orientation sessions in the United States with Don Reasoner, one of our covenant missionaries, who later joined our team as an ace translator. Paul filled us in on some of the political and social history of Honduras. With multinational corporations owning much of the arable land, the small farmers had to move up into the mountains to make a living. In order to grow food, they cleared the native forest by the slash-and-burn method. So now, without a spongy forest floor to soak up rainwater, the rain runs down through the crops, taking the good soil with it. Then more forest must be cleared to get any kind of crop yield. This practice left the mountains vulnerable to the landslides brought on by Hurricane Mitch. |
| It took us about four hours to travel to Portillo del Norte from Tegucigalpa. The coordinators for pastoral care and agriculture, Marta and Omar, went with us. After the final hour's ride over a dirt road, the vans carrying our crew, tools, and luggage stopped on a hillside. A group of men were moving a large load of corrugated zinc up the hill, a few sheets at a time. The view over the mountains was breathtaking. "This is it," said Omar. "Your home. They built it for you." | ![]() Men of Portillo del Norte confer about how best to use the volunteer workers. |
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Perched on the hillside was a fresh adobe-brick hut with a roof of clay shingles. "They didn't have any place for your group to stay, so they built you a house," Omar explained. "They'll use it as a chapel and meeting place after you go." The only way to fit 22 people into the one common room of our casa communal (communal house) was to lay the small mattresses side by side on the cement-and-dirt floor without space between them. That night, the wind howled and the rain spattered, but we stayed dry and kept each other warm. |
![]() Children outside the casa communal (communal house) built for the volunteers by the Hondurans. |
After breakfast, we divided into three work groups to build houses of adobe bricksmade of mud baked in the sun. The first step is to dig the foundation of the house and pour cement. The first row of adobe is set with cement, the rest with lodo (mud). Our first task was to go and get sand to mix with the cement. We were working with Saul Mejia and Tomas Lorenzo from the community. We merrily picked up the bags Saul passed out and followed him down the path. |
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I'm not sure our team would have followed our Honduran hosts so eagerly had we known what was coming. When they asked for some volunteers to do woodwork, a few of our men willingly took their hammers and followed. Halfway up the mountain, they figured out that woodwork meant hiking to the top of the rain forest, hacking down trees with machetes, and carrying the logs back to the site so that they could be cut into beams for the roof or frame.
In our present case, we walked along one field and down another, up a muddy slide, and around a bull, wondering where the drop place was for the sand. Then Saul stopped along a steep path next to what looked like a cave, dropped to his knees, and started scraping the sides of the cave with a pick. Sand began piling up around his knees, and he filled our bags, one by one. I have a four-year-old daughter at home whom I occasionally carry on my hip. She weighs 42 pounds. My bag was heavier than that. |
![]() Volunteer Tom Westfall with Guadalupe Rodriguez. |
"We are very thankful we didn't lose anyone in the hurricane. There were no deaths. But we lost all our crops and most of our animals," explained Guadalupe Rodriguez. "After three days of powerful rain, we stayed inside and prayed it would pass. Our houses can survive through storms until the water eats away at the first layer of adobe. Once that goes, the house settles in and the walls break open. But it kept on raining for eight days. The water flowed through my walls." |
Text and photographs copyright 1999 by New World Outlook: The Mission Magazine of The United Methodist Church. Used by Permission. Visit New World Outlook Online at http://gbgm-umc.org/nwo/.
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